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61<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tThe Great Dictator<\/span>\n\t\t\t\t

War : sequence \"A\" ; Sound scene report<\/h2>\t\t\t\n\t\t\t\t 1940\/06 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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68<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tThe Gold Rush<\/span>\n\t\t\t\t

Music Cutting Notes on The Gold Rush ; Music Recording Notes ; Description of Music<\/h2>\t\t\t\n\t\t\t\t 1941\/10\/30-1941\/12\/06 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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21<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tThe Gold Rush<\/span>\n\t\t\t\t

The Gold Rush : Description of music for reissue<\/h2>\t\t\t\n\t\t\t\t [1942] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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94<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tMonsieur Verdoux<\/span>\n\t\t\t\t

Cue sheets : office<\/h2>\t\t\t\n\t\t\t\t 1947\/01\/09-1947\/01\/17 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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66<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tMonsieur Verdoux<\/span>\n\t\t\t\t

Cue sheets<\/h2>\t\t\t\n\t\t\t\t 1947\/01\/14-1947\/01\/16 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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200<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tLimelight<\/span>\n\t\t\t\t

Vocal swtnrs & (orch) piano 4th prescore : 11-6-51<\/h2>\t\t\t\n\t\t\t\t 1950\/10\/06-1952\/07\/31 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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263<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tLimelight<\/span>\n\t\t\t\t

[Limelight : picture ; track-effects ; music]<\/h2>\t\t\t\n\t\t\t\t [1952] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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168<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tLimelight<\/span>\n\t\t\t\t

Limelight : cutting, sound, music and music notes ; First post-score : may 28, 1952\/[Charlie Chaplin]<\/h2>\t\t\t\n\t\t\t\t 1952 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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7<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tA King in New York<\/span>\n\t\t\t\t

King in New York : List of picture and optical sound negative being held\/Attica Film Company<\/h2>\t\t\t\n\t\t\t\t 1957 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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11<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tA King in New York<\/span>\n\t\t\t\t

King in New York : Master magnetics held ; Picture and optical sound spares ; Magnetic spares ; Magnetic music ; Music optical : 29 March 1957\/Attica Film Company Shepperton Studios<\/h2>\t\t\t\n\t\t\t\t 1957 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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2<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tA Dog's Life<\/span>\n\t\t\t\t

Music breakdown : Dog's Life<\/h2>\t\t\t\n\t\t\t\t 1959\/07 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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6<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tThe Chaplin Revue<\/span>\n\t\t\t\t

The Chaplin Revue : music breakdown : July 1959<\/h2>\t\t\t\n\t\t\t\t 1959\/07 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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1<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tA Countess from Hong Kong<\/span>\n\t\t\t\t

On music and sound effects\/[Jerome Epstein]<\/h2>\t\t\t\n\t\t\t\t [1966] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t